Oregon Cartoons & Cartooning: Past, Present, Future
Workshop presented by Walidah Imarisha, an educator and writer. She is the co-editor of two anthologies, “Octavia’s Brood: Science Fiction Stories From Social Justice Movements,” and “Another World is Possible.”…
The purpose of this book is to highlight how these visual arts, which are often interconnected, have found ways and strategies of asserting a composite and fruitful Arab cultural identity,…
Read for free here: https://cartoonistsforpalestine.org/book Download the PDF (coming soon, please donate to Crucial Comix using the link below). Purchase a copy before they run out: https://www.crucialcomix.com/product-category/goods/books/ All proceeds benefit…
The Oregon Cartoon Project invites you to submit your zine to the Oregon Zine Machine! You retain the rights to your work and will be compensated with $50 if accepted.…
The OCP is now accepting submissions for our 2025 Art Exhibition What is Oregon about Oregon Art? Submissions are due April 3, 2025. We are accepting submissions in the medium…
The OCP is delighted to present previously unpublished historic comics on the Oregon Zine Machine. Thank you, Gary W. Barclay, for presenting us with those time capsules from the ’90s.
In the 1970s, Portland writers, designers, and illustrators shaped the counterculture movement through their use of independent publishing. Scrappy newspapers such as the Portland Scribe were launched as a reaction…
Register to Attend! The Graphic Medicine International Collective (GMIC) invites you to their virtual Fall Event, taking place on Zoom from 10 am to 12 pm Pacific Time on Saturday,…
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Mike Mignola made his name working on titles like Batman and Daredevil, but in 1994 he partnered with Oregon’s Dark Horse Comics to release Hellboy: Seed of Destruction. Philippe Labaune,…