Category: Oregon cartooningPage 5 of 10
What a busy day! Many people checked out our booth, and some did not want to miss the opportunity to submit their draft for our logo competition. Check…
Today, comics enjoy wide critical and academic acceptance. Literature classes teach works such as Maus and Fun Home. The New York Times reviews comics and publishes comics features. Scholars work both to chronicle…
The following review by Peter Debruge of a documentary about Will Vinton (Laika Studios) appeared in Variety on August 4, 2022. We are reposting below. The Book of…
OCP artist-in-residence Sarah Mirk and Oregon Poet Laureate Anis Mojgani along with 20+ people gathered on August 10th in Laurelhurst Park for the next event as part of…
UNDERGROUND USA was a one day public history/arts education event which focused on one chapter of Oregon print cartooning history. It took place on October 15, 2016 at…
The Oregon Cartoon Project (then operating as Oregon Cartoon Institute) is responsible for a few “Historic Firsts” in the history of Oregon cartooning and animation. First OHS exhibit…
In May 2013, Anne Richardson taught a survey course entitled Oregon Animation History at the Hollywood Theatre. The Oregon Cartoon Project has archived the original syllabus for future…
Each year, the Oregon Historical Society honors a number of people and organizations as Oregon History Makers. According to a written exchange between Anne Richardson and Lisa Groening,…
In partnership with Northwest Animation Festival, Oregon Cartoon Institute presented an evening of films by Oregon born experimental animator Harry Smith (1923 – 1991) accompanied by a panel…
What was the Mel Blanc Project? The Mel Blanc Project consisted a series of public history/art education events made possible in part by a grant from the Kinsman Foundation and by…